Thursday, May 30, 2019

The 14+ books I read in May, ranked

Well this month I did some traveling and had some extra time off work to pick up books that I've been meaning to read for a while that I just haven't. Some of these have much older publication dates. I lightened my reading load with City Book Review and got to work on a massive pile of library books and other unread literature that was flopping around my house.

Mmmm, look at all of those dark covers. I love how "Once & Future" and "Space Opera" had similar color schemes. Maybe I should write a post comparing them?


14.) “The Strain, Volume 1” by David Lapham, Mike Huddleston and Sierra Hahn: This was a graphic novel adaptation of Guillermo del Toro and Chuck Hogan’s “The Strain,” in which a mysterious disease turns people into zombie/alien/vampires. The art was kind of generic and the story wasn’t that great. I would have much rather read the novel itself.

13.) “Fear” by Bob Woodward: I did not have the best attitude going into this book, but it’s not because of what you might think. For one, I’m not a huge nonfiction person. Since I work at a news organization, I get more than my fair share of nonfiction regularly. Second, I don’t like current event books in particular because they’re out of date within months. Just read the news if you want current events. (SUBSCRIBE TO YOUR LOCAL PAPER!) The third thing I didn’t enjoy about this book was that none of it was surprising, but it wasn’t really out to change anyone’s mind. If you dislike how the current administration is handling other countries’ leaders, you won’t be surprised to hear that according to the people interviewed in the book, the president approaches foreign policy with all of the sleek subtlety of a sledgehammer. If you’re a Trump supporter, you’ll chalk it up to “fake news” and not read it anyway. I read it because Bob Woodward is a respected journalist and I was interested in what he found in his research. I won’t make the mistake of reading a book like this again.

12.) “Ash Princess” by Laura Sebastian: I couldn't help but think the objective around this book was to construct a love triangle and every other plot element was just fodder to wrap around the heroine and her two love interests. I got the same vibes as when I read Victoria Aveyard's "Red Queen" last year. The indiscriminately evil despot was just a McGuffin, and the ultimate goal was pretty dresses and forbidden kissing. I’d really be interested in a more solid motivation for the big bad, and I think YA readers deserve more from their stories.

11.) “Protect the Prince” by Jennifer Estep: I had mostly enjoyed the first book in this series, but I found this second installment to be insufferable, mostly because the main character had somehow grown whiny and ill-tempered in between books. Somehow I was supposed to care that people were trying to kill her. I did not care.

10.) “The Call of Cthulhu” by H.P. Lovecraft: This is a short story written during a time when it was perfectly acceptable to be blindingly, unabashedly racist. Lovecraft was one of those science-y racists who seemed to rank people’s intelligence based on skin color. “The Call of Cthulhu” is about a man who investigates a cult that worships an old god, Cthulhu. Cthulhu has fallen to earth from the stars and lives in a cave in the Pacific Ocean. He’s grotesque and smelly and the people who encounter him go mad with terror. The prose itself was beautiful, and reminded me of works written about the same time, such as Joseph Conrad’s “Heart of Darkness” and Charlotte Bronte’s “Jane Eyre.” There’s the same theme of unknown malevolence that binds together all of those works in my mind. If you want to read some gothy old stuff, pick up one of these books. If you’re looking for cosmic horror, specifically, go somewhere else because The Call of Cthulhu’s narrative foundations are preposterously racist.

 9.) “Harold in the Name of Love” by Chris Malone: This is the part of my list that begins the varying shades of good books I read in May. This indie book pleasantly surprised me. A former coworker, Hafiz, sent his author friend Chris my way for a book review, and I enjoyed it! This book had a lot to say about love, loss and moving on. Nancy’s character was just a little one-dimensional. She could have used a little more development. After I wrote my review on Goodreads, Chris tweeted, “Nancy was a tough character to crack, and given 100 more opportunities, I still don't think I'd ever get it right.” I think the biggest thing with Nancy was that she didn’t seem to evolve as a person over time, while Harold and Damon, the other two major characters, changed dramatically. I really loved how the friendship between Harold and Damon blossomed. It was a solid and unique plot with some dark comedic moments. Initially I was reminded of Fredrik Backman’s “A Man Called Ove,” but this was a much different story. I would recommend reading it.

8.) “Black Panther: A Nation Under Our Feet” by Ta-Nehisi Coates: This volume had a lot of plot threads that took some getting used to. I want to read the second volume to try to tie some of them together in my mind. The more I read volumes of comic books, the more I’m realizing that one volume that encompasses about five issues isn’t really ever enough to form an opinion on the series. There have only been a few exceptions to this.

7.) “Once & Future” by Amy Rose Capetta and Cori McCarthy: This is a gender-bending sci-fi retelling of Arthurian legend. Happy Pride Month! The premise is that King Arthur is regenerated every so often to write the wrongs of humanity. This time around, the evil Mercer Corporation has monetized almost every facet of the galaxy, and only two planets are in revolt. Merlin, who ages in reverse through the years, comes back as a teenager to help the first female King Arthur, Ari, defeat evil for good. This book has hints of Doctor Who and Star Wars!!! I read Thomas Malory’s Le Morte D’Arthur in high school, and OF COURSE it was, dry, boring, heteronormative and patriarchal! It was written in the 1400s! Sometimes I think retellings like this are made only partly to drum up interest in the source material among teens. In this case, I’d rather be reading this book. You should experience at least a detailed synopsis of Arthurian legend because its plots and themes are a foundation for A LOT of literature through the ages.

6.) “The Kiss Quotient” by Helen Hoang: This is a romance novel about how a woman with Autism Spectrum Disorder finds love by calling up an escort service to learn about sex and romantic relationships. It won a Goodreads Choice award for romance in 2018. I don’t read a lot of romance novels anymore (this is the first I’ve read in a while,) but I thought this was funny and romantic! One of the tropes in romance is that either one or both of the main characters are so disgustingly wealthy that they never have to worry about money throughout the course of the story. I think it helps to keep the focus on the development of the romance. Anyway, in this story, the heroine, Stella, as a dorky econometrician, is the breadwinner in the relationship, and I found that empowering. The other heroine in this story is Carly Robins, the woman who read the audiobook I listened to.

5.) “Shadow and Bone” and “Siege and Storm” by Leigh Bardugo: After the first book in this trilogy, I was interested in exploring this world more. The main character, Alina, finds out she’s a sun summoner, and that The Darkling wants to harness her power to widen the Shadow Fold and bring the adjacent countries to heel. I was late to the party on this, as Bardugo has several books now that are built in this universe, affectionately called “The Grishaverse,” and YA Twitter seems to really like it. I liked “Shadow and Bone” much better than “Siege and Storm,” as the second book had the sophomoric tendency to drag just a bit.

4.) “Uprooted” by Naomi Novik: At first glance, I thought this book was going to be a “Beauty and the Beast” retelling, but it goes so far beyond that and makes itself into something entirely fresh and new. “Uprooted” has hints of Russian fairy tales, but also a dollop of “Stranger Things.” I felt the heroine, Agnieszka, was empowering, considering her circumstances. The way magic is portrayed in this book is really cool. Right now I'm reading Novik's other book, "Spinning Silver," that has been nominated for Hugo and Nebula awards this year. It is very good so far.

3.) “Parable of the Sower” by Octavia E. Butler: This part of the list until the end is MANDATORY READING. We're all going to check back with each other at the end of next month to make sure we've read everything, right? HOLY MACARONI. This book was published in 1993 and takes place in 2025. I picked it up from the library because I heard there are some similarities between Butler’s writing and NK Jemisin’s writing. Parable of the Sower just blew my mind. It’s the diary of a teenage girl, Lauren Olamina, written over 3 years in a post-apocalyptic America. It’s supposed to be a bleak look at a near-future, but it includes themes of a drug crisis, global warming and extreme privatization of resources that are too close to reality today than mere hyperbole. The survivalist plot is super violent and visceral. How did I go so long without reading this?

 2.) “The Sandman” by Neil Gaiman (Vols. 1-10): I wrote about my experience reading one of the greatest comic book series of all time here. The separate post is mainly to spare you from having to scroll through all of my truly insufferable literature snob thoughts about it. They are embarrassingly dorky, and I could have said much, much more. Halfway through May, this was the best book (errr, collection of books) I had read, and I thought it would stay that way, but it was overcome by…

1.) “Space Opera” by Catherynne M. Valente: This book is so earnestly joyful and dire at the same time. The author drew inspiration from Douglas Adams, David Bowie and Eurovision, and improves on all of it. If you’re one of those book snobs who think a writer’s style only belongs to them and no one can imitate it, you might take it personally that this novel has strong whiffs of “Hitchhiker’s Guide to the Galaxy.” I think the added themes of corruption, gentrification and modern-day corporatization freshens the Adams random sense of humor into something more coherent, enduring and meaningful.

Road to 200 

According to Goodreads, I finished my 100th book this month. It’s a little deceptive because that counts five single issues of “Die” by Kieron Gillen and seven single issues of “Captain America” by Ta-Nehisi Coates from earlier in the year. I read them both twice. Still, if those two things were lumped into books on their own, I’d still be hovering around 90 books, and that’s nothing to sneeze at, I suppose. How did I get there? I've tried to either listen to an hour of an audio book OR read 150 pages of a book every day. My commute to work alone is about 30 minutes long, so it hasn't been difficult to do.

 My favorite book podcast 

Here's a link to my favorite book podcast, "372 pages we'll never get back." It's hosted by Conor Lastowka and Michael J. Nelson from MST3K and Rifftrax. They pick books they anticipate they won't like and make fun of them. Beyond the usual roasting, they write skits, respond to reader feedback, hold meme contests and other general silliness. Their first episodes were about "Ready Player One," one of my least favorite books, and right now they're reading "The Mister" by E.L. James. It's funny and enlightening to hear two men talk about their experiences reading their first romance novel.

 Do you have a favorite book podcast?

Wednesday, May 15, 2019

Random thoughts about a little 30-year-old comic book series called “The Sandman”


“The Sandman” by Neil Gaiman is widely regarded as one of the best comic book/graphic novel series of all time and one of the greatest achievements of the medium. Until last month, I did not know that. Soooo, there’s that.

The other thing I didn't know was its run started in the year I was born. That will be relevant to know later.

This is the cover of my 30th anniversary edition of Vol. 1 that I got on Free Comic Book Day. You'll see in the most minuscule writing it says, "Introduced by Patrick Rothfuss." I can't escape him. He keeps showing up in my life. Please help me. I'm stuck in a Rothfussian hellscape and I can't get out.


Also it’s likely going to be the best thing I’ve read all month, and rather than write all of this in my monthly rankings, I’ll just write a separate post here, so you can read my ramblings about it if you feel like it.

On Free Comic Book Day (always the first Saturday of May, in case you didn’t know,) I got the first volume in a BOGO sale at the comic book store that is within walking distance of my house, along with a comic book adaptation of Guillermo del Toro and Chuck Hogan’s “The Strain” and a Daredevil book I had been considering.

So here are 1,500 words worth of thoughts I had about it. I mean, I had many more other thoughts, but they are less coherent.

How I read it

I read all 10 volumes of The Sandman over the course of three days. It was a really intense experience. The whole of the series encompasses millennia, and tells stories about The Endless, seven siblings named Dream, Death, Destruction, Delirium (formerly Delight,) Despair, Desire and Destiny. The stories mainly focus on Dream/Morpheus, and the beings (not always humans) he affects. There are old gods who grow frail because there is no one around to worship them. There’s an inn at the world’s end where transient beings swap stories until the storms of their lives pass.

My favorite volume was No. 5, called “A Game of You,” where there’s a being called The Cuckoo that displaces the dreams of a young woman. It had notes of Doctor Who and Labyrinth, I thought, and a really interesting storyline that had very little to do with the Endless. Part of the conclusion questions whether beings like The Cuckoo should exist.

The more things change, the more they stay the same (and more on my favorite volume)

“A Game of You” in particular could have been written today, but almost any of them could. It was a series that truly stands the test of time. In “A Game of You,” there was a trans character, Wanda, who was aggressively misgendered by her conservative family. When Wanda dies (SORRY SPOILERS), her friend, Barbie goes to a comic book store to get her favorite comic book to place on her coffin. When she goes to the comic book store, the owner objectifies her. I think this is 1.) representative of some elements of comic book culture where a few (mainly white men) make things miserable for the rest of the people who want to enjoy things and 2.) shows how Wanda is accepted as she is in one sphere (the comic book store) where Barbie isn’t, and Barbie is accepted as she is in the world at large and Wanda isn’t. Does that make sense? Probably not.

I think it’s important to see that there is LGBTQ+ representation in comic books written in the late 1980s and early 1990s because of how marginalized groups are still treated today. It’s a horrible travesty and a failure of society that a series like “The Sandman” was ahead of its time in 1988 and is STILL AHEAD OF ITS TIME in 2019. COME ON HUMANITY, GET IT TOGETHER. I think that’s all I really want to say about that. If you know me for 10 seconds you’ll know that I think everyone should be intersectional feminists and fight tirelessly for the downtrodden in solidarity, but I don’t want to turn this blob into my feminist rage. (For feminist rage, you can read April’s book rankings.)

We (and this series) contain multitudes 

The last thing I want to talk about with Vol. 5 is my favorite thing Barbie says at the end:

“Okay. Here goes Barbie’s idea. It’s like, that people… well, that everybody has a secret world inside of them. I mean everybody. All of the people in the whole world – no matter how dull and boring they are on the outside. Inside them they’ve all got unimaginable, magnificent, wonderful, stupid, amazing worlds… Not just one world. Hundreds of them. Thousands, maybe. Isn’t that a weird thought?”

First of all it was about Barbie, who has just had a horrifying nightmare ordeal that affected the waking world.

More broadly, it was about all of the worlds, still within the series, waking and dreaming, beyond Barbie: The places where The Endless live, and where all of the old gods wait to fade out of relevance. And it doesn’t just apply to the physical settings in the books. There are so many tiny threads in the grander story. For example, there were two beings who worked at the Necropolis who told their story at the inn at the end of the world in Vol. 8, and when I read about them, I wondered why their story was relevant until I got to Vol. 10 when they came back for a… gathering. I WON’T SPOIL ANY MORE. But there were so many characters and stories that were so beautifully and artistically woven together. So I don’t think “The Sandman” is just the best graphic novels have to offer, but it’s a shining example of storytelling for those who like books without pictures, too.

On an even more macro level and outside of “The Sandman:” The last part of this is getting a bit personal, but I believe that everyone has a secret world inside of them, and that when books are written, humanity can catch a glimpse of others’ secret worlds. Over time, I’ve mostly softened my judgment of a lot of books and other things because of this realization.

SHAKESPEARE

Shakespeare shows up twice in the 10 volumes because he promises Dream he’ll write two plays for him. One is “A Midsummer Night’s Dream,” and the other is “The Tempest.” I’m really annoyed with myself that I’ve never read either of them. “Titus Andronicus” is my favorite Shakespearean tragedy and I played Viola in “Twelfth Night” in my last semester at college, for heaven’s sake! They're both more obscure works! Doesn't everyone read "A Midsummer Night's Dream" and "The Tempest" in high school? Not me, apparently! I took a college class as part of my English major specifically FOR Shakespeare, but somehow those two plays have never crossed my radar. So I wish I could say I appreciated the Shakespeare parts of “The Sandman” better, or what those two plays meant in particular to the story “The Sandman” was trying to tell.

I still have my college copy of the complete works of Shakespeare, so I can read those plays whenever I want! 

Whether you love or hate Shakespeare, comic book writers seem to be obsessed with him. I’ve read about Shakespeare’s perceived ubiquity in an Ed Brubaker interview in the monstrous Captain America tome I read last month. He described Stan Lee’s vision of Captain America as Shakespearean, and why not, because Shakespeare is for the masses, he said, and in his iteration he tried to keep with the theme. And now Shakespeare is here in “The Sandman.” Where else will he turn up?

The blast radius (what I read afterward)

Sometimes when you read something particularly awe-inspiring, it can be difficult to get back into the same genre, or even pick up another book. Book Twitter calls this a book hangover, and I had a major one after finishing all of “The Sandman.”

I took sad naps between volumes. I felt disoriented. I had a headache (though this could be because I was reading it on a tablet in the car – yes, I can read in a moving vehicle.) I picked up books, read a couple pages, and put them back down. I went on walks. I gazed poetically into the middle distance. You know, the usual.

It was all very dramatic.

I read “The Strain,” which was a stupid comic book adaptation of a novel by Guillermo del Toro and Chuck Hogan (sort of mentioned above.) I don’t know if it was stupid because I just finished one of the most mindblowing pieces of literature I’ve ever read in my life, or because it was truly stupid. That’s the problem with a book hangover. Everything else just has a bland chalky taste and makes you feel sort of sick reading it.

Finally, I listened to Helen Hoang’s “The Kiss Quotient” on my Libby app, and that seemed to snap me out of it. It was a romance novel on audiobook, a different genre and medium, and it also was pretty steamy. After that, I got back into my normal routine.

I still don’t think I’m quite over it, but I’m taking it one day at a time. 

Ok, enough drama. Let's wrap this up.

Final thoughts

I know this is not an all-encompassing look at “The Sandman." The closest thing I can compare this to is my experiences reading both “Saga” by Brian K. Vaughan and “Die” by Kieron Gillen, mostly because both take place in expansive worlds and/or over long stretches of time.

I really like reading literary think pieces, so if you have one you like about “The Sandman” in particular, I’d love to read it. I'm sure there's been a lot written about it. Also, I’m always looking for comic book recommendations to expand my worldview.


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